“Beware of
rattlesnakes, copperheads, cottonmouths, alligators, Mississippi dogfish, bad
liquor, and characters out of Faulkner. Beware also of tellers of tall tales.
Do not allow your speech to be corrupted, no matter what strange predicament
you may encounter. And above all, keep a diary, so that you may read it to me
next fall.”
The
recipient of this wise counsel is Thom Gunn. His adviser, it will surprise
those who hold stereotypes dear, is Yvor Winters, writing on July 21, 1956. Two
years earlier, Gunn had graduated from Cambridge, published his first collection,
Fighting Terms, and came to the
United States from his native England to study with Winters at Stanford. I’m
always touched by Winters’ thoughtfulness and hospitality. He met Gunn at train
station, invited him home for dinner and made sure he had a place to stay. In
the 1954 letter confirming all of the above, Winters writes:
“I don’t
know whether to be pleased or not that you will see the Atlantic seaboard
first, but I don’t know how to prevent it either. It is a dismal province, and
you will like the west the better, I suppose, for having seen the worst the
first.”
Which
quality is more often misunderstood, or missed entirely, by readers and critics:
Winters’ compassion and basic human decency or his sense of humor? For the rest
of his life, Gunn remained grateful to Winters, publicly acknowledging the debt
he owed the older poet. Among the earliest was “To Yvor Winters, 1955” (The
Sense of Movement, 1957), in which he writes:
“[I]f we use
Words to
maintain the actions that we choose,
Our words,
with slow defining influence,
Stay to mark
out our chosen lineaments.”
In an
interview published after Gunn’s death in 2004, he suggests that his conception
of poetry relies heavily on what he learned from his Winters: “My old teacher’s
definition of poetry is an attempt to understand—not that one can succeed in
understanding, but the attempt to understand. That’s Yvor Winters.” And the
year before his death, Gunn edited Winters’ Selected
Poems for the Library of America. In the introduction, Gunn writes: “I can
attest to his being the most exciting teacher I ever had; even to disagree with
him was exciting.” And this: “I heard someone calling Yvor Winters a maverick.
I would go further than this and call him the maverick’s maverick.” He might,
of course, have been writing of himself.
[See The Selected Letters of Yvor Winters
(2000), edited by R.L. Barth and published by Ohio University Press/Swallow
Press.]
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